2015-2017 École supérieure des Beaux-Arts d'Angers (DNA Art-médias), Angers, France.
2005-2014 Lycée International Xavier, Seoul, South Korea.
2022 Tickle Through, Aram Nuri library, South Korea.
Amo's Bush, curated by Sunmean Lee, Watermark, South Korea.
La Danse avec Tic-Tac, curated by Yoora Jeong, Topohaus, South Korea.
2021 Mango, curated by Yoora Jeong, Topohaus, South Korea.
Fair / Week
2023 Pack Fair 23 <We want a Deep Stack>, directed by Pack systems,
my personal work curated by Jieon Lee, Wadiz, South Korea.
The Art Plaza : 을지미로 by IBK, curated by Ko Daewoong, Provoke, South Korea.
The Void - Odyssey, curated by The BVOID, KIR Seoul, South Korea.
2022 Craft Trend Fair, Coex, South Korea.
Get Set, Dutch Design Week, Sectie C, Netherlands.
Home Table Deco, Coex Hall A-C, South Korea.
Urban Break, Coex Hall B, South Korea.
2023 OOP Seoul, curated by Axoo Agency, Provoke, South Korea.
PRPT(PromptSet): Table Sevice, curated by Oaah Agency, Y173, South Korea.
Space Art directing for Quafe, South Korea.
Vernal Sensory : a hint of spring, Level: 0, South Korea.
2021 Circuit Seoul #1, curated by Oaah Agency, Musinsa Terrace, South Korea.
2023 Grand Birthday, curated by Public Gallery, The Hyundai Mokdong 6F, South Korea.
다시, 자연에게 보내는 편지, Part 6 : 평행하게 걷는 우리, directed by Kang Shin Jae and
curated by Choi Seongil and Cho Jungmin, Culture Station Seoul 284, South Korea.
2022 10 moons and 3 Tunnels, curated by Hwang Su Kyung, Total Museum, South Korea.
Defining Use 용도의 쓸모 제 3장, curated by Meeseek, Eulji Art Center, South Korea.
Soft Shelter, curated by Choi Jooyeon, Space B-E Gallery, South Korea.
Melting Point, curated by Häagen-Dazs, Lotte Art Hall in Lotte Jamsil Avenuel, South Korea.
Defining Use 용도의 쓸모 제 1장, curated by Meeseek, Eulji Art Center, South Korea.
부드러운 간격, curated by Ko Yoonjeong, GalleryHoho, South Korea.
2021 Flood, curated by Moon Changnam, LAD, South Korea.
곳-곳, curated by Hwang Sookyung, Gallery Sejul, South Korea.
Emergence and Existence of Arbitariness, curated by Meeseek, South Korea.
Ville Topiaire, curated by Pelle au Jardin, rue Mouffetard Paris 5e, France.
Tomorrow Land, curated by Sowon Lim, OF, South Korea.
2020 Prectxe 2020, curated by B39 space, South Korea.
Paradis Amer, curated by Charlène Guyon-Mathé, Atelier de la Ville en Bois, France.
(잠)(Jari)(자리), curated by Al-season, 60 seconds, South Korea.
No space just a place : Eterotopia, curated by Gucci, Daerim Museum, South Korea.
2019 Personal Theme Park, curated by White Noise, White Noise, South Korea.
2017 Château en Fibula, curated by Charlène Guyon-Mathé, 3 Allée de l’Île Gloriette, France.
DohyeongTamgu, curated by Yoora Jeong, Topohaus, South Korea.
House of Dust, curated by Sébastien Pluot, TALM Angers, France.
Dans le Hall*to sad to tell yu, rue de la röe, France.
KKEKK is an artist and a designer based in Seoul, South Korea. She demonstrates the process of expanding the range of senses by materializing suppressed fantasy using plastic art and installations. Through exhibitions, she shows her work which fluctuates between fantasy and reality. With her own unique imagination, KKEKK materializes ‘paracosm’ (a specific fantasy world), continuing to try to stimulate the senses of visitors and provoke connection with each other.
Selected Clients : Häagen-Daaz, Quafe